1. Nikon 70-200 Vr Ii User Guide Manual
2. Nikon 70-200 Vr Ii Manual

Whether you’re shooting low-light sports, wildlife, fashion, portraits or everyday subjects, the AF-S NIKKOR 70-200mm f/2.8G ED VR II will beautifully capture bright, razor-sharp images and HD videos. This lens is lauded by pros and serious hobbyists for its quick and responsive autofocus, super steady Vibration Reduction, accurate color rendition, contrast and gorgeous bokeh. With an f/2.8 fixed maximum aperture and Nikon’s advanced lens technologies, the AF-S NIKKOR 70-200mm f/2.8G ED VR II could very well be the best lens investment you could make. An update to Nikon’s legendary f/2.8 fixed aperture telephoto zoom lens, the AF-S NIKKOR 70-200mm f/2.8G ED VR II captures stunning full-frame images with remarkable speed.

Nikon VR (Vibration Reduction) image stabilization provides 3.5 stops. of blur free handheld shooting, assuring dramatically sharper still images and HD video capture. Silent Wave Motor (SWM) enables ultra-fast, ultra-quiet autofocusing with seamless manual focus override. No matter what you’re shooting, you’ll capture it with uncompromising speed and precision—at any focal length.

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Liquidmonkey1wrote:i must be missing something here.is the VRI for DX and the VRII for FX?No. These are generations of VR technology. The less expensive lenses - which in the current Nikon lineup are usually DX but not always, have VR I. The more expensive lenses, DX or FX, have VR II. But different generations of the same lens can have different VR technology. This support question details the differences in VR generations:And here is Nikon Imaging's website on VR technology:I was a bit confused by SmittenHobbyist's response, but then I realized that he was talking about the optical design of the different generations of the 70-200 lens, not the VR systems they employ.

Minimum focusing distance has nothing to do with VR. Mosswingswrote:liquidmonkey1wrote:i must be missing something here.is the VRI for DX and the VRII for FX?No. These are generations of VR technology. The less expensive lenses - which in the current Nikon lineup are usually DX but not always, have VR I. The more expensive lenses, DX or FX, have VR II.Not true. When VRII was develpoed, all lens made after that had VRII.

It's not a DX vs FF thing.I was a bit confused by SmittenHobbyist's response, but then I realized that he was talking about the optical design of the different generations of the 70-200 lens, not the VR systems they employ. Minimum focusing distance has nothing to do with VR.The VRII version is significantly sharper in the corners, less vignetting and has more contrast, but has much greater focus breathing than the old one. Those advantages don't really show up as well on DX as the size of the DX sensor means the outer portion of the lens aren't projected and only the center portion of the lens is seen by the DX sensor.

The VRI version is very good in the center so the advantages of VRII are almost lost on DX.Also, some report the VRI having better center sharpness and bokeh than the VRII while the VRII being better with teleconverters than the VRI. Mako2011wrote:mosswingswrote:liquidmonkey1wrote:i must be missing something here.is the VRI for DX and the VRII for FX?No. These are generations of VR technology. The less expensive lenses - which in the current Nikon lineup are usually DX but not always, have VR I. The more expensive lenses, DX or FX, have VR II.Not true. When VRII was develpoed, all lens made after that had VRII.

It's not a DX vs FF thing.Hmm.point taken, Sorry. The 18-55, 55-200, and 18-105 that are bundled with the consumer DX bodies are VR I, and are the least expensive zooms in Nikon's lineup.

The 18-200, 16-85, 55-300, and 70-300 are VR II. What threw me off is that VR II started showing up on the metal-mount DX line BEFORE the 18-55, 55-200, and 18-105 came out - in the 16-85, 18-200, and 70-300.So, yes, all newer lenses have been VR II; even in the 55-300, which is a lower grade lens than the 70-300. It waits to be seen whether Nikon will revise their low-end lenses to include VR II. Somehow I doubt it.

Nikon 70-200 Vr Ii User Guide Manual

Liquidmonkey1wrote:i must be missing something here.is the VRI for DX and the VRII for FX?No.The two lenses are:70-200/2.8 VR.Not VR I, but people refer to it that way to differentiate it from the new genreration lens, and70-200/2.8 VR II.Where the 'II' does not refer to the type of VR employed in the lens, but rather, it refers to the entire lens as the second version (or MkII if you like) of this lens.They are both designed for full frame coverage. However, when the first version was released in early 2003, Nikon had no full frame digital cameras on the market, so noone really knew how it would perform on those. It was a fantastic performer on the DX cameras at the time, but later on, when the D3 was released it turned out that this lens produced slightly soft corners and some vignetting at the 200 mm end wide open on full frame images.The second version was released in the middle of 2009.

It has a completely different optical design, a more advanced VR system and it is fully optimised for full frame coverage. The only issue some people have with it is that when focused close to minimum focusing distance at the 200 mm end of the zoom range its acctual focal length is reduced to about 130 mm.

This is perfectly fine for some people, yet it bothers others. THAT is an awesome explanation.thank you very much for taking your time to write itPeter Jonaswrote:liquidmonkey1wrote:i must be missing something here.is the VRI for DX and the VRII for FX?No.The lenses are:70-200/2.8 VR (not VRI) and70-200/2.8 VR II where the 'II' does not refer to the type of VR employed in the lens, but rather, it refers to the entire lens as the second version (or MkII if you like) of this lens.They are both designed for full frame coverage. However, when the first version was released in early 2003, Nikon had no full frame digital cameras on the market, so noone really knew how it would perform on those. It was a fantastic performer on the DX cameras at the time, but later on, when the D3 was released it turned out that this lens produced slightly soft corners and some vignetting at the 200 mm end wide open on full frame images.The second version was released in the middle of 2009. It has a completely different optical design, a more advanced VR system and it is fully optimised for full frame coverage. The only issue some people have with it is that when focused close to minimum focusing distance at the 200 mm end of the zoom range its acctual focal length is reduced to about 130 mm. This is perfectly fine for some people, yet it bothers others.

Nikon 70-200 Vr Ii Manual

Liquidmonkey1wrote:has anyone used both the 70-200 VRI and the VRII?i have the VRI and am wondering if its worth upgrading to the VRII?Not unless you will be purchasing an FX camera. On the D7000, the first version is still excellent, and you will be better off putting your money elsewhere.The VR I benefits greatly by stopping down to f/4, either alone or with TC's. Used that way, it's absolutely top-notch and matches or betters the VR II on DX.Wide open at f/2.8, youmightsee some advantage with the VR II, but this would likely only be for closer subject distances (and keep in mind for that range, the VR I will have higher magnification).

The VR II does not benefit as much from stopping down. You have a bad copy or ludicrous expectationsnews flasha 70-200 won't perform like a 200mm primetundracamperwrote:Marianne Oelundwrote:Wide open at f/2.8, youmightsee some advantage with the VR II, but this would likely only be for closer subject distances (and keep in mind for that range, the VR I will have higher magnification). The VR II does not benefit as much from stopping downI would agree. I've never been happy with the VRI wide open at 200 on DX.

It is somewhat soft and can exhibit ghosting on backilt subjects. Most reviews seem to concur. If I didn't have a 200mm prime, I'd probably upgrade. To say that a lens, which drops 40-70mm of reach in typical portrait/wedding/party type shooting 'bothers' some people is a bit of an understatement.Casual shoots may be fine with the defect, but that level of focal breathing is among the worst of ANY pro zoom.I still have my VRII, but I repurchased the VRI. So did a LOT of other people.

Look what the VRI is selling for now. The VRII is a good lens, but the breathing issue truly cripples it for some people. Consider how you shoot before buying. My copy of the VRI gives up little sharpness compared to the VRII and I don't use a zoom to shoot landscapes, let alone without stopping down.Robert. Liquidmonkey1wrote:has anyone used both the 70-200 VRI and the VRII?i have the VRI and am wondering if its worth upgrading to the VRII?or maybe i should just wait for the VRIII now, although no idea if/when that will be released?thanks!samples from a center crop from a Vr1 and a Vr II.the vr1 was a used example that the shop had.I almost went for it.but after seeing the crops and because I wanted to use a 1.7x TC with the lens I opted for the VIIas you can see the VII is quite a bit sharper at 100% cropping and has better contrastthese are 100% and 200% crops.